Thursday, November 05, 2026

Best Seat in the House

When is one more time, one time too many?

 

So, I'm on vacation on the California coast in October when the weather there is perfect. A big secret all the locals tell me. When I return home I'll arrive to a snow storm so, let's hear it for California.

 

I'm there with my millennial daughter who is an executive with a tech job, an elegant style, a good heart and a tendency toward stubbornness that she inherited from her father.

 

As for the rest, I make no claim.

 

We were mostly enjoying Carmel moving between it, points south and Monterey as the mood and a rental Volvo took us.

 

Is there a place near where you live that attracts the richest among us? The well-heeled. Well-to-do. Those with lots of disposable income to dispose?

 

Jackson Hole, Wyoming is that place closest to me. A town with a spectacular view. Where the bars are historic, the cowboys are fake and everything costs ten times what it should.

 

Carmel is like Jackson Hole with an ocean.

 

But, the weather was perfect. The food was good and thanks to a recent change in fortune, we had money to burn.

 

And so we did.

 

Who knew that such a thing as a cashmere bathrobe existed?

 

Not me.

 

But I do now.

 

So between spending money like drunken sailors and out-waiting digestive insults caused by an encounter with raw oysters, we climbed the rocks and stared into the sea at Point Lobos, now proclaimed to be California’s premier state park.

 

 

When I was 19 and a photography student at a college south of there, I would go to Point Lobos to stand with the ghosts of Ansel Adams and Edward Weston, holding my camera and all of life ahead of me.

 

 

Do you have a place like that? A place where you can occupy the same space you stood as a teenager and be there years later and feel the time between?

 

Or consider it?

 

I suppose that’s the gift age gives us, contemplation.

 

Along with the inability to eat raw vegetables, fading eyesight and the things that used to be perky and in the front now hanging slightly to the side. 

 

FYI, if you want to visit Point Lobos plan to get there before eight AM because by ten o’clock the parking lots are full and they close the gate.

 

 

I asked a park ranger what caused this. They can’t all be photographers, I said. He replied social media. Influencers on whatever.

 

We did see groups of young people walking the trail. Not stopping to look at anything. Just scurrying along, making the loop and moving on.

 

Be there. Be seen. Be gone.

 

What a world.

 

I can stand in the same spot Weston stood and stare down at China Cove, same as him, but he and I and everything else except the rocks and the sea are immutably different.

 

 

So, with contemplation and a good bra I accept it’s better than the alternative which I’m told is pushing up daisies.

 

And then, we reached the last night of our coastal vacation.

 

My daughter had made a reservation at a restaurant in an elegant hotel. Four stories of balconied rooms overlooking Monterey Bay. Lovely.

 

We arrived early and were told to wait in the bar. They would text daughter’s phone at the appropriate time.

 

We went into the bar and sat at an empty table by the window in a space with at least eight other empty tables.

 

I was contemplating an adult beverage with a sea air chaser and a view of the sunset over the ocean.

 

Daughter was contemplating a plate of crab legs.

 

A waiter arrived and told us these tables were for dinner reservations. We’d have to wait at the bar.

 

Daughter apologized and we moved and sat at the bar which is where I first detected something awry.

 

The bartender slammed down our drinks and turned away.

 

Daughter had bartended her way through grad school so she nonchalantly corrected the bartender’s lack of manners, tucking napkins under our drinks while continuing to cheerfully chat with others waiting nearby.

 

Ten minutes after our assigned reservation time I suggested she go check. She did.

 

A couple of minutes later a chic young woman in a tux, no less, led us to a six chair table in the traffic path four feet from the entrance and said, “Here you are, ladies.”

 

Have you ever been addressed as ‘lady’ in a tone you know didn’t offer compliment?

 

Lay-dees.

 

And I looked at the smug young shit in the elegant female tux and said, no.

 

No. We are not sitting here.

 

Surprised, she said she’d check. Went out to the entrance, came right back and led us to the table where we had originally sat down before being sent to the bar.

 

I was not amused.

 

In fact, I felt a cold silent rage rise like the tide coming in. I didn’t sit down.

 

A waiter arrived, slapped down two one sheet bar menus and a couple of glasses of water. Said, “I’ll give you a minute” and left.

 

Fish and chips. Hamburger. No crab.

 

I said, we’re leaving. Daughter looked up from the menu.

 

They’re not treating us right. We’re leaving.

 

The waiter returned. Ready to order?

 

Daughter apologized -- oh we wanted crab tonight.

 

Waiter made some inane remark I don’t remember because I was thinking,

 

When is one more time, one time too many?

 

Old women become invisible. Did you know that?

 

It’s true. I’ve often wondered if it was that first gray hair or those last ten pounds?

 

Now, I confess I still dress like I did in college. Old hippie. Comfort over fashion which I never understood anyway.

 

But my daughter is an executive with style, so I’m not sure what caused us to be perceived as not up to the mark for the rarified air of that establishment.

 

She continued to apologize as the waiter saw us off with a smirk.

 

Walking out through the marble-floored hallway, down the wide staircase with the oak banister, she kept it up.

 

Maybe it was this. Maybe it was that. And I said,

 

fuck’em.

 

She shushed me. And I said,

 

You don’t have to be polite to someone who is treating you with disrespect. Seriously.

 

fuck’em.

 

We went about a mile farther down the waterfront onto the Monterey pier and approaching a restaurant called Delmonico’s, we were greeted by the male host, also in a tux, who asked --

 

“Ladies, are you joining us for dinner? Let me show you to the best table in the house.”

 

As he was pulling out a chair for me, I said to my girl,

 

See the difference?

 

Now, I know this host’s patter was part marketing, part manners and a little bit of bologna. But what’s wrong with a little bologna once in a while.

 

Daughter had crab legs with veggies. I had crab-stuffed shrimp with a nice Pinot.

 

 

I tipped the waiter 20% because he made us laugh.

 

So, women, sisters, ... ladies.

 

What is the answer? The solution. A proper response.

 

We can’t continue to snarl fuck’em at miscreant men and our unsupportive sisters can we?

 

That might get old. Although I’ll tell you, cold silent rage felt better than I ever imagined.

 

Maybe, draw a line. Make a boundary. This stops here. Now.

 

I’m not having it. I won’t have it. Not this time.

 

And walk away.

 

Walk away.

 

And keep walking until someone greets you with a smile and a little bologna.

 

Because the best seat in the house is the one you find yourself.

 


Thursday, October 29, 2026

Now Appearing ...

The Further Adventures of Esmerandrella, Psychic to the Confused and Misbegotten has been selected for the Montana Short Cuts portion of the 13th Annual Last Chance New Play Fest in Helena.

A fake psychic meets a real ghost and learns about grief, hope and the nature of the Universe.
 

Friday, October 16, 2026

Wednesday, July 01, 2026

Tuesday, June 02, 2026

Debrief

 

I'm finding it weird, being a playwright. 

 Writer. Yes. 

 

Screenwriter. Absolutely. 

 

Playwright, well, it's complicated.

 

Most of the plays contain chunks of my heart. A few are smart-aleck* comedies which should layer out differently, but don't. So far [knock wood] all have been staged which is not a bad record for someone who started this particular journey late.

 

The writing starts the same. An idea floats in and suddenly imaginary people are telling me their stories. It's like falling in love, all potential, grace and humor. Then comes the getting it down part. Moving from the ethereal to wood pulp and that's like getting married and it's what's for dinner for the rest of eternity. 

 

But, being married is fun too, so there it goes and before you know it*2 a play emerges.

 

A story. Told with heart and movement, love and laughter, joy and pain. And words.

 

"Aye and there's the rub."*3 For who owns the words once they've left the pen?

 

Some may scoff. The writer owns the copyright as soon as the story is written down. And there are multiple ways to more or less legally protect one's work.

 

But theater is different. A play must be staged. It has to be walked into real life by real live other creative souls. And so, the words and heart leave the hands of the playwright and fall into the realm of directors, actors and every other theater person it takes to get something up on its feet.

 

It can be a place where the text is respected and directors build the story in a space and actors bring their lives to an arc of emotion in the story and all that makes the play richer. I've experienced this and it is very heart and soul of theater magic.

 

But it doesn't always happen like that. 

 

A director may claim ownership of the production, fair enough, but in a way that treats the script as only broad strokes that can be rearranged or dismissed. 

 

There's the rub, indeed. 

 

Something a writer may have lived through to realize the story then worked at for serious time to get down, passes like a fart in a wind storm. And who will notice?

 

The writer, of course. And occasionally an audience member who asks the writer either in a talkback or in an aside during the break, what did that mean? And I've experienced that too and have managed to explain my intention and meaning without throwing the disrespectful director under the bus because I sometimes have manners that would make my mother proud.

 

So, what's the answer?

 

1 - Stop going to the productions. Remain blissfully ignorant. Where's the fun in that?

 

2 - Stop writing for performance. Which I have considered a couple of times

     while driving home either seriously pissed off or in tears. 

 

3 - Speak the fuck up, woman. Stop being so polite. Mother will understand.

 

I thought about adding this disclaimer to the cover -- 

 

"This work is protected by US Copyright law and Dramatists Guild rules. Do not alter the text, change the age or sex of a character, or combine characters without permission of the playwright."

 

But would it insult those who know better or dissuade those who don't?

 

What adds to the ridiculousness of the situation is that I've always been available and amenable. The few times I've been asked to change something, I've always agreed. Once because there was sincere creative passion behind the request, once to see what would happen and once because it was so stupid but the director wanted to appease her mother.*4

 

So, the playwright fills her play with heart and soul, blood and guts, intellect and wit and sends it out into the world to sail or fall, play fast or limp away.

 

And what's the pay-off?

 

The audience. Listening to them laugh. Seeing them be moved to tears.*5 Having them stop me on their way out of the theater to tell me their grief stories. The lady who stopped me in the hallway to say she only came to the Play Fest the day my plays were up because I never disappointed her.*6

 

Screenwriters are used to becoming disposable. At least before Hollywood shoos one out the door, they offer lots of money.*7

 

I read an article written by Tennessee Williams in which he talks about the life of a playwright. He describes a meeting he had with a theater manager who told him that his play was closing after one performance. Mr. Williams said, But I'll do anything. I put my heart into it. And the manager advises him to not do that anymore. Williams ignores that advice. A paragraph later he remembers a play that received only one positive comment from an acquaintance. And that was enough to prevent him from giving up the theater for a second career as a waiter.

 

So, according to Tennessee Williams, this is just the way it goes.

 

A playwright puts her heart and soul into the work, but it lives on the backs of other people and what happens next is anybody’s guess.

 

 

 

 

 

* smart-ass is my voice. I'm leaning in.

*2 or 12 days, or six weeks, or a year and a half.

*3 Hamlet, Act 3, Scene 1.

*4 Someone should take care of the mothers.

*5 I feel guilty about that.

*6 ! :) !

*7 Or so I've heard.